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Sweet Jamaican Mento Music
Its Influence & Instruments
(Plus A Video)

Ridlle Me Dis: What Jamaican music form use authentic Jamaican materials, catchy, captivating, and will have you dancing your feet off; the minute second, you hear it?

Jamaican Mento Music, of course :-)

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Influence and Instruments

This unique Jamaican music borrows from at least three influences; African (work songs from slavery), European (dance forms such as quadrille) and even Jamaican folk music (pocomania). 

Mento combines the rhythmic, vibrant sound of acoustic instruments such as the maracas, banjo, rhumba box (bass kalimbas - the player sits on the box, reaching down between his/her legs to pluck the prongs) and even the common grate (commonly found in Jamaican kitchens). 

Together these instruments create an uplifting rhythm that was first recorded on dub plates or 78 RPM vinyl records. Its first exponents included street singers – so called because the street-sides were their stage- such as Slim and Sam, Bedassie and Williams who were known as mento singers. 

Traditional Mento has greatly influenced Ska, Reggae, Dub, and and later contemporary Mento band, such as Stanley Beckford, The Jolly Boys and Blue Gaze.

Dynamic Mento

It was therefore easy to integrate mento into Jamaica’s musical fabric from its inception. It had wide commercial appeal, attracting audiences who, captivated by the sound, would gather in marketplaces and street corners to hear the singers perform live. 

They would also purchase records from the performers who were basically walking record shops. Night clubs helped to create interest in the music as they too would play mento music for their patrons.

Interestingly:

• Mento's lyrics are typically comedic. Usually portraying the issues relating to Jamaican life. 
• Mento's vocalists had a wide range of styles and pitches with the most mento – sounding being the, the nasal, rural sound that some mento singers possessed. It's a sound with strong echoes of African heritage.
• At its peak mento was popular in both the USA and the UK.
• Mento act, Lord Flea, appeared on American TV shows, two Hollywood films and released an album for Capitol Records.
• Alerth Bedassie and Everald Williams emerged from being street singers to operate as The Chin’s Calypso Sextet in the 1950’s.
  
  They had hits such as Boogu Yagga Gal. In a nutshell Boogu (pronounced Bu-gu) and  Yagga (pronounced Yah-ga)  Gal (patios for Girl), refers to a female who behaves in an unladylike manner (rough, coarse or uncouth).

Developments In Jamaican Mento Music

• The Jamaica Cultural Development Commission (JCDC) helped to drive the resurgence of mento by releasing an album in 2000. 
• In 2002, “Stanley Plays Mento”, a collaboration with The Blue Glaze Mento Band, was released.
  
  This CD comprised classic mento tracks, from Bob Marley, and some of Stanley's reggae-mento songs; Broom Weed, being a memorable track.
  
  
• In 2004, Louie Culture recorded "Donkey Back". Dancehall vocals and rhythms were successfully merged with a mento theme.
  
  
• In April 2006 the "Chaka Chaka" dancehall riddim broke, featuring harmonica, banjo, fiddle swoops (played on guitar), a bass line simple enough for a rumba box, and a pre-reggae beat.
  
  
• In 2010, The Jolly Boys returned to recording with an album, video and web site; they subsequently toured Europe and the US. 
  
  
• Also in 2010 Tallawah Mento Band, released a strong CD. In 2011, The Blue Blaze Mento Band released a guest star filled compilation.
   
• In 2013 Larry and the Mento Boys released an 18 song CD & the double CD golden-age collection called “Mento Not Calypso”.

YouTube Video Of Jamaican Mento Music

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